Liz Moores, owner and perfumer at Papillon, has over the years added a lot of beauty to the world, in the form of huge, dense, old-fashioned ambery perfumes like Anubis (2014) and Dryad (2017). I’ve always been a fan of her work. Together with Antonio Gardoni’s Bogue Perfumes, she revived a grand manner, a sort of perfumery chest voice that came as a corrective after so much metallic perfumery up-speak, those squeaky things that carry across a crowded room but have nothing to say.
But Epona now breaks with Papillon’s previous style and moves into new territory.
Keep reading with a 7-day free trial
Subscribe to Luca Turin on perfume etc. to keep reading this post and get 7 days of free access to the full post archives.